Monsters of MediaBoss: Our Creative Work Space Comes Alive

We built the ultimate creative work space when we moved into the 8,000 square foot industrial space MediaBoss now calls home. We have lime-pop support poles, a Koi pond, exposed brick and the Shoppers World sign hanging from our 13 foot ceilings.

But we can't stop there.

In the spirit of the upcoming Halloween season, I started to see the every day objects in our studio a little differently.

Here's a look at The Monsters of MediaBoss!

 The Terror-able Trash Eater

MediaBoss Monster Trash Can
This guy loves to munch on your paper towels and candy wrappers. Just don't get too close to his mouth!

Fluffy Glowing Ghouls

MediaBoss Monster Lights
These three love to hang about our Koi Pond, keeping the fish and Domino the Turtle looking bright!

Goodbye-Bot

MediaBoss Monster Exit Sign
After a long day at the studio, this guy always says goodbye with a smile.

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If you need custom graphics or animations, I'd love to chat. Email me here:

 

Erin Hayes

Erin Hayes is a seasoned event producer and visual storyteller with over a decade of experience directing large-scale live productions across the globe. In just 80 days, she produced 24 events in 10 different countries—an international sprint that speaks to her logistical acumen and creative leadership under pressure. As the founder and Executive Producer of MediaBoss, Erin has led the IMAG (image magnification) teams behind some of New England’s most iconic events, including Boston Calling Music Festival, where she directed the Blue Stage, and Comics Come Home, Denis Leary and Cam Neely’s annual sold-out comedy fundraiser, which she has produced since 2017. Her portfolio spans nonprofit galas, fundraisers, and theatrical events—from Boston Medical Center’s Vital Village and Sudbury Valley Trustees' Annual Gala, to live stage productions such as Saints, Sinners and Serial Killers and Hunting Whitey, both staged at the historic Wilbur Theatre. Whether she’s producing a multi-cam livestream or crafting a seamless on-stage experience, Erin brings a steady hand, an editorial eye, and a deep commitment to mission-driven storytelling.

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